William Dalrymple

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Livres de William Dalrymple
ONE OF BARACK OBAMA'S BEST BOOKS OF 2019
THE TIMES HISTORY BOOK OF THE YEAR
FINALIST FOR THE CUNDILL HISTORY PRIZE 2020
LONGLISTED FOR THE BAILLIE GIFFORD PRIZE FOR NON-FICTION 2019
A FINANCIAL TIMES, OBSERVER, DAILY TELEGRAPH, WALL STREET JOURNAL AND TIMES BOOK OF THE YEAR
'Dalrymple is a superb historian with a visceral understanding of India … A book of beauty' – Gerard DeGroot, The Times
In August 1765 the East India Company defeated the young Mughal emperor and forced him to establish a new administration in his richest provinces. Run by English merchants who collected taxes using a ruthless private army, this new regime saw the East India Company transform itself from an international trading corporation into something much more unusual: an aggressive colonial power in the guise of a multinational business.
William Dalrymple tells the remarkable story of the East India Company as it has never been told before, unfolding a timely cautionary tale of the first global corporate power.
Nine people, nine lives. Each one taking a different religious path, each one an unforgettable story.Exquisite and mesmerizing, and told with an almost biblical simplicity, William Dalrymple's first travel book in a decade explores how traditional forms of religious life in South Asia have been transformed in the vortex of the region's rapid change. Nine Lives is a distillation of twenty-five years of exploring India and writing about its religious traditions, taking you deep into worlds that you would never have imagined even existed.
L’histoire du Koh-i-Noor de William Dalrymple et Anita Anand dissipe les brumes de la mythologie, mais ce qu’elle révèle au lecteur d’aujourd’hui n’en est pas moins romanesque, avec son lot de meurtres et de trahisons : une archéologie de la cupidité, où se rejoignent les passions privées des maharajahs et la folie collective de l’impérialisme occidental. Craché par un volcan primaire, charrié par le fleuve Krishna jusqu’à Golconde, le Koh-i-Noor ira jusqu’en Afghanistan, avant de venir se loger dans la couronne de la reine Victoria.
Historien et journaliste écossais, William Dalrymple parcourt l’Orient depuis une vingtaine d’années. Spécialisé dans la littérature de voyage, il est l’auteur de six livres parmi lesquels Le Moghol Blanc (2005) qui a remporté, entre autres, le prestigieux Wolfson Prize for History, La Cité des Djinns (2006) qui a reçu le Thomas Cook Travel Book Award, mais aussi Dans l’ombre de Byzance (2002), L’Âge de Kali (2004), Le dernier Moghol (2008), Neuf vies (2010) et Le Retour d’un Roi (2014), récompensé par le Kapuściński Award for Literary Reportage, tous parus en français chez Noir sur Blanc. Il vit à Delhi avec son épouse et leurs trois enfants.
Une captivante fresque de l'Inde du siècle des Lumières, sur fond de guerre coloniale, d'intrigues de harem et d'espionnage.
Lors d’un premier séjour en Inde à l’âge de dix-sept ans, William Dalrymple découvre Delhi. Cette grande capitale le fascine. Il prend conscience que cet endroit recèle son cortège de richesses et d’horreurs. Cinq ans plus tard, il y revient et y voit le sujet d’un livre : le portrait d’une ville disloquée dans le temps. Des ruelles étroites de la vieille ville aux avenues plus larges de New Delhi, il déambule dans des lieux sous lesquels seraient englouties sept villes mortes. Ses larges artères englobent un cimetière de dynasties. Delhi est vouée à sans cesse renaître de ses cendres, à connaître de nouvelles incarnations, de siècle en siècle. Les djinns, autrement dit les esprits, hantent chaque maison, chaque coin de rue. Ils aiment tant Delhi qu’ils ne peuvent supporter de la voir vide et désertée, c’est ce que révèle à l’auteur un sage.
William Dalrymple a passé quatre ans à Delhi après 1989. Il nous propose un panorama de la vie dans cette ville. L’historien revient sur l’époque de la colonisation britannique et s’attache au devenir des extravagantes constructions impériales anglaises. Le journaliste, le voyageur, quant à lui, friand de contacts humains, nous livre une galerie de portraits des habitants du Delhi d’aujourd’hui, dans leur incroyable diversité.
Historien et journaliste écossais, William Dalrymple parcourt l’Orient depuis une vingtaine d’années. Spécialisé dans la littérature de voyage, il est l’auteur de six livres parmi lesquels Le Moghol Blanc (Noir sur Blanc, 2005) qui a remporté, entre autres, le prestigieux Wolfson Prize for History. La Cité des Djinns (Noir sur Blanc, 2006) a reçu le Thomas Cook Travel Book Award. William Dalrymple est membre de la Royal Society of Literature et de la Royal Asiatic Society. Il vit avec sa femme et leur trois enfants entre l’Écosse, Londres et New Delhi.
« Pour qui a le goût de l’échappée lointaine et aventureuse, William Dalrymple est un modèle. » (Le Figaro magazine)
From William Dalrymple—award-winning historian, journalist and travel writer—a masterly retelling of what was perhaps the West’s greatest imperial disaster in the East, and an important parable of neocolonial ambition, folly and hubris that has striking relevance to our own time.
With access to newly discovered primary sources from archives in Afghanistan, Pakistan, Russia and India—including a series of previously untranslated Afghan epic poems and biographies—the author gives us the most immediate and comprehensive account yet of the spectacular first battle for Afghanistan: the British invasion of the remote kingdom in 1839. Led by lancers in scarlet cloaks and plumed helmets, and facing little resistance, nearly 20,000 British and East India Company troops poured through the mountain passes from India into Afghanistan in order to reestablish Shah Shuja ul-Mulk on the throne, and as their puppet. But after little more than two years, the Afghans rose in answer to the call for jihad and the country exploded into rebellion. This First Anglo-Afghan War ended with an entire army of what was then the most powerful military nation in the world ambushed and destroyed in snowbound mountain passes by simply equipped Afghan tribesmen. Only one British man made it through.
But Dalrymple takes us beyond the bare outline of this infamous battle, and with penetrating, balanced insight illuminates the uncanny similarities between the West’s first disastrous entanglement with Afghanistan and the situation today. He delineates the straightforward facts: Shah Shuja and President Hamid Karzai share the same tribal heritage; the Shah’s principal opponents were the Ghilzai tribe, who today make up the bulk of the Taliban’s foot soldiers; the same cities garrisoned by the British are today garrisoned by foreign troops, attacked from the same rings of hills and high passes from which the British faced attack. Dalryrmple also makes clear the byzantine complexity of Afghanistan’s age-old tribal rivalries, the stranglehold they have on the politics of the nation and the ways in which they ensnared both the British in the nineteenth century and NATO forces in the twenty-first.
Informed by the author’s decades-long firsthand knowledge of Afghanistan, and superbly shaped by his hallmark gifts as a narrative historian and his singular eye for the evocation of place and culture, The Return of a King is both the definitive analysis of the First Anglo-Afghan War and a work of stunning topicality.
How are great turning points in history experienced by individuals?
As Britain pulls away from Europe great British writers come together to give voice to their innermost feelings. These writers include novelists, writers of books for children, of comic books, humourists, historians, biographers, nature writers, film writers, travel writers, writers young and old and from an extraordinary range of backgrounds. Most are famous perhaps because they have won the Booker or other literary prizes, written bestsellers, changed the face of popular culture or sold millions of records. Others are not yet household names but write with depth of insight and feeling.
There is some extraordinary writing in this book. Some of these pieces are expressions of love of particular places in Europe. Some are true stories, some nostalgic, some hopeful. Some are cries of pain. There are hilarious pieces. There are cries of pain and regret. Some pieces are quietly devastating. All are passionate.
Conceived as a love letter to Europe, this book may also help reawaken love for Britain. It shows the unique richness and diversity of British cultures, a multitude of voices in harmony.
Contributors include:
Hugh Aldersey-Williams, Philip Ardagh, Jake Arnott, Patricia Atkinson, Paul Atterbury, Richard Beard, Mary Beard, Don Boyd, Melvyn Bragg, Gyles Brandreth, Kathleen Burke, James Buxton, Philip Carr, Brian Catling, Shami Chakrabarti, Chris Cleave, Mark Cocker, Peter Conradi , Heather Cooper, Frank Cottrell-Boyce, Roger Crowley, David Crystal, William Dalrymple, Lindsey Davies, Margaret Drabble, Mark Ellen, Richard Evans, Michel Faber, Sebastian Faulks, Ranulph Fiennes, Robert Fox, James Fox, Neil Gaiman, Evelyn Glennie, James Hanning, Nick Hayes, Alan Hollinghurst, Gabby Hutchinson-Crouch, Will Hutton, Robert Irwin, Holly Johnson , Liane Jones, Ruth Jones, Sam Jordison, Kapka Kassabova, AL Kennedy, Hermione Lee, Prue Leith, Patrick Lenox, Roger Lewis, David Lindo, Penelope Lively, Beth Lync, Richard Mabey, Sue MacGregor, Ian Martin, Frank McDonough, Jonathan Meades, Andrew Miller, Deborah Moggach, Ben Moor, Alan Moore, Paul Morley, Jackie Morris, Charles Nicholl, Richard Overy, Chris Riddell, Adam Roberts, Tony Robinson, Lee Rourke, Sophie Sabbage, Marcus Sedgwick, Richard Shirreff, Paul Stanford, Isy Suttie, Sandi Toksvig, Colin Tudge, Ed Vulliamy, Anna Whitelock, Kate Williams, Michael Wood, Louisa Young
‘Could you show me a djinn?’ I asked. ‘Certainly,’ replied the Sufi. ‘But you would run away.’
From the author of the Samuel Johnson Prize-shortlisted ‘The Return of a King’, this is William Dalrymple’s captivating memoir of a year spent in Delhi, a city watched over and protected by the mischievous invisible djinns. Lodging with the beady-eyed Mrs Puri and encountering an extraordinary array of characters – from elusive eunuchs to the last remnants of the Raj – William Dalrymple comes to know the bewildering city intimately.
He pursues Delhi’s interlacing layers of history along narrow alleys and broad boulevards, brilliantly conveying its intoxicating mix of mysticism and mayhem.
‘City of Djinns’ is an astonishing and sensitive portrait of a city, and confirms William Dalrymple as one of the most compelling explorers of India’s past and present.
A rich blend of history and spirituality, adventure and politics, laced with the thread of black comedy familiar to readers of William Dalrymple’s previous work.
In AD 587, two monks, John Moschos and Sophronius the Sophist, embarked on an extraordinary journey across the Byzantine world, from the shores of the Bosphorus to the sand dunes of Egypt. Their aim: to collect the wisdom of the sages and mystics of the Byzantine East before their fragile world shattered under the eruption of Islam. Almost 1500 years later, using the writings of John Moschos as his guide, William Dalrymple set off to retrace their footsteps.
Taking in a civil war in Turkey, the ruins of Beirut, the tensions of the West Bank and a fundamentalist uprising in Egypt, William Dalrymple’s account is a stirring elegy to the dying civilisation of Eastern Christianity.
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