W. G. Sebald

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Livres de W. G. Sebald
Quatre voix qui se complètent et se répondent pour parler du désarroi désespéré de ceux qui, en quittant leur pays, ont perdu leur histoire.
Dans une conférence donnée à Zurich à l’automne 1997, où il évoque un épisode tabou en Allemagne – le bombardement massif de villes allemandes par les Alliés à la fin de la guerre –, et dans un texte consacré à Alfred Andersch, Sebald dénonce sans ménagements le sentiment de culpabilité des intellectuels allemands qui fausserait leur jugement autant que leur inspiration esthétique.
Par ce portrait saisissant d'un émigrant déraciné, fragile, érudit et digne, l'auteur élève une sorte d'anti-monument pour tous ceux qui, au cours de l'Histoire, se retrouvent pourchassés, déplacés, coupés de leurs racines - sans jamais en comprendre la raison ni le sens.
Austerlitz is W. G. Sebald's haunting novel of post-war Europe.
In 1939, five-year-old Jacques Austerlitz is sent to England on a Kindertransport and placed with foster parents. This childless couple promptly erase from the boy all knowledge of his identity and he grows up ignorant of his past. Later in life, after a career as an architectural historian, Austerlitz - having avoided all clues that might point to his origin - finds the past returning to haunt him and he is forced to explore what happened fifty years before. Austerlitz is W.G. Sebald's melancholic masterpiece.
'Mesmeric, haunting and heartbreakingly tragic. Simply no other writer is writing or thinking on the same level as Sebald' Eileen Battersby, Irish Times
'Greatness in literature is still possible' John Banville, Irish Times, Books of the Year
'A work of obvious genius' Literary Review
'A fusion of the mystical and the solid ... His art is a form of justice - there can be, I think, no higher aim' Evening Standard
'Spellbindingly accomplished; a work of art' The Times Literary Supplement
'I have never read a book that provides such a powerful account of the devastation wrought by the dispersal of the Jews from Prague and their treatment by the Nazis' Observer
'A great book by a great writer' Boyd Tonkin, Independent
W . G. Sebald was born in Wertach im Allgäu, Germany, in 1944 and died in December 2001. He studied German language and literature in Freiburg, Switzerland and Manchester. In 1996 he took up a position as an assistant lecturer at the University of Manchester and settled permanently in England in 1970. He was Professor of European Literature at the University of East Anglia and is the author of The Emigrants, The Rings of Saturn, Vertigo, Austerlitz, After Nature, On the Natural History of Destruction, Campo Santo, Unrecounted, A Place in the Country. His selected poetry is published in a volume called Across the Land and the Water.
"The book is like a dream you want to last forever" (Roberta Silman, The New York Times Book Review), now with a gorgeous new cover by the famed designer Peter Mendelsund
A masterwork of W. G. Sebald, now with a gorgeous new cover by the famed designer Peter Mendelsund
The Rings of Saturn—with its curious archive of photographs—records a walking tour of the eastern coast of England. A few of the things which cross the path and mind of its narrator (who both is and is not Sebald) are lonely eccentrics, Sir Thomas Browne’s skull, a matchstick model of the Temple of Jerusalem, recession-hit seaside towns, wooded hills, Joseph Conrad, Rembrandt’s "Anatomy Lesson," the natural history of the herring, the massive bombings of WWII, the dowager Empress Tzu Hsi, and the silk industry in Norwich. W.G. Sebald’s The Emigrants (New Directions, 1996) was hailed by Susan Sontag as an "astonishing masterpiece perfect while being unlike any book one has ever read." It was "one of the great books of the last few years," noted Michael Ondaatje, who now acclaims The Rings of Saturn "an even more inventive work than its predecessor, The Emigrants."
A masterwork of W. G. Sebald, now with a gorgeous new cover by the famed designer Peter Mendelsund
The four long narratives in The Emigrants appear at first to be the straightforward biographies of four Germans in exile. Sebald reconstructs the lives of a painter, a doctor, an elementary-school teacher, and Great Uncle Ambrose. Following (literally) in their footsteps, the narrator retraces routes of exile which lead from Lithuania to London, from Munich to Manchester, from the South German provinces to Switzerland, France, New York, Constantinople, and Jerusalem. Along with memories, documents, and diaries of the Holocaust, he collects photographs—the enigmatic snapshots which stud The Emigrants and bring to mind family photo albums. Sebald combines precise documentary with fictional motifs, and as he puts the question to realism, the four stories merge into one unfathomable requiem.
Après la mort de l'auteur, le fragment d'un livre sur la Corse a été trouvé - quatre magnifiques morceaux de prose qui, ici, sont rassemblés avec quatorze essais littéraires jamais publiés en France. Qu'il parle de Piana, de Nabokov, de musique, de Handke ou de Jean Améry - la voix de Sebald est identifiable entre toutes.
Ce voyage à pied à travers le Suffolk, région historiquement riche de la côte est de l'Angleterre, est prétexte à un ensemble de récits passionnants au pouvoir symbolique enchanteur.
With contributions from poet, essayist, and translator Charles Simic, New Republic editor Ruth Franklin, Bookworm radio host Michael Silverblatt, and more, The Emergence of Memory offers Sebald’s own voice in interviews between 1997 up to a month before his death in 2001. Also included are cogent accounts of almost all of Sebald’s books, thematically linked to events in the contributors’ own lives.
Contributors include Carole Angier, Joseph Cuomo, Ruth Franklin, Michael Hofmann, Arthur Lubow, Tim Parks, Michael Silverblatt, Charles Simic, and Eleanor Wachtel.
"Vertigini" è apparso per la prima volta nel 1990.
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