From one of America's iconic writers, a portrait of a marriage and a life – in good times and bad – that will speak to anyone who has ever loved a husband or wife or child. A stunning book of electric honesty and passion.

Several days before Christmas 2003, John Gregory Dunne and Joan Didion saw their only daughter, Quintana, fall ill. At first they thought it was flu, then pneumonia, then complete sceptic shock. She was put into an induced coma and placed on life support. Days later – the night before New Year’s Eve –the Dunnes were just sitting down to dinner after visiting the hospital when John suffered a massive and fatal coronary. In a second, this close, symbiotic partnership of 40 years was over. Four weeks later, their daughter pulled through. Two months after that, arriving at LA airport, she collapsed and underwent six hours of brain surgery at UCLA Medical Centre to relieve a massive hematoma.

This powerful book is Didion’s ‘attempt to make sense of the weeks and then months that cut loose any fixed idea I ever had about death, about illness … about marriage and children and memory … about the shallowness of sanity, about life itself’. The result is an exploration of an intensely personal yet universal experience: a portrait of a marriage, and a life, in good times and bad.

NATIONAL BESTSELLER • In these coolly observant essays, the iconic bestselling writer looks at the American political process and at "that handful of insiders who invent, year in and year out, the narrative of public life."

Through the deconstruction of the sound bites and photo ops of three presidential campaigns, one presidential impeachment, and an unforgettable sex scandal, Didion reveals the mechanics of American politics. She tells us the uncomfortable truth about the way we vote, the candidates we vote for, and the people who tell us to vote for them. These pieces build, one on the other, into a disturbing portrait of the American political landscape, providing essential reading on our democracy.

A ruthless dissection of American life in the late 1960s, from the author of The Last Thing He Wanted and A Book of Common Prayer.

Somewhere out beyond Hollywood, resting actress Maria Wyeth drifts along the freeway in perpetual motion, anaesthetized to pain and pleasure, seemingly untainted by her personal history. She finds herself, in her early thirties, radically divorced from husband, lovers, friends, her own past and her own future.

Play It As It Lays is set in a place beyond good and evil, literally in Los Angeles and Las Vegas and the barren wastes of the Mojave, but figuratively in the landscape of the arid soul. Capturing the mood of an entire generation, Didion chose Hollywood to serve as her microcosm of contemporary society and exposed a culture characterized by emptiness and ennui.

Two decades after its original publication, it remains a profoundly disturbing novel, an immaculately wrought portrait of a world (California on the cusp of the 70s) where too much freedom made a lot of people ill.

A memoir of land, family and perseverance from one of the most influential writers in America.

In this moving and surprising book, Joan Didion reassesses parts of her life, her work, her history – and America’s. Where I Was From, in Didion's words, "represents an exploration into my own confusions about the place and the way in which I grew up, misapprehensions and misunderstandings so much a part of who I became that I can still to this day confront them only obliquely."

The book is a haunting narrative of how her own family moved west with the frontier from the birth of her great-great-great-great-great-grandmother in Virginia in 1766 to the death of her mother on the edge of the Pacific in 2001; of how the wagon-train stories of hardship and abandonment and endurance created a culture in which survival would seem the sole virtue. Didion examines how the folly and recklessness in the very grain of the California settlement led to the California we know today – a state mortgaged first to the railroad, then to the aerospace industry, and overwhelmingly to the federal government.

Joan Didion's unerring sense of America and its spirit, her acute interpretation of its institutions and literature, and her incisive questioning of the stories it tells itself make this fiercely intelligent book a provocative and important tour de force from one of America’s greatest writers.

From one of America’s greatest and most iconic writers: an honest and courageous portrait of age and motherhood.

Several days before Christmas 2003, Joan Didion’s only daughter, Quintana, fell seriously ill. In 2010, Didion marked the sixth anniversary of her daughter’s death. ‘Blue Nights’ is a shatteringly honest examination of Joan Didion’s life as a mother, a woman and a writer.

Recently widowed, and becoming increasingly frail, ‘Blue Nights’ is Didion’s attempt to understand our deepest fears, our inadequate adjustments to ageing and to put a name to what we refuse to see and as a consequence fail to face up to, ‘this refusal even to engage in such contemplation, this failure to confront the certainties of ageing, illness and death. This fear.’ This fear is tied to what we cherish most and fight to conserve, protect, and refuse to let go, for, ‘when we are talking about mortality we are talking about our children.’ To face death is to let go of memory, to be bereft once more, ‘I know what it is I am now experiencing. I know what the frailty is, I know what the fear is.’

The fear is not for what is lost.

The fear is for what is still to be lost.

You may see nothing still to be lost.

Yet there is no day in her life on which I do not see her.

A profound, poetic and powerful book about motherhood and the fierce way in which we continue to exalt and nurture our children, even if they only live on in memory.

‘Blue Nights’ is an intensely personal, and yet, strangely universal account of how we love. It is both groundbreaking and a culmination of a stunning career.

Twelve early pieces never before collected that offer an illuminating glimpse into the mind and process of Joan Didion.

Mostly drawn from the earliest part of her astonishing five-decade career, the wide-ranging pieces in this collection include Didion writing about a Gamblers Anonymous meeting, a visit to San Simeon, and a reunion of WWII veterans in Las Vegas, and about topics ranging from Nancy Reagan to Robert Mapplethorpe to Martha Stewart.

Here are subjects Didion has long written about – the press, politics, California robber baronsac, women, the act of writing, and her own self-doubt. Each piece is classic Didion: incisive and, in new light, stunningly prescient.