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Langue

Anglais
Éditeur

Tinder Press
Date de publication

28 février 2013
ISBN-10

0755398599
ISBN-13

978-0755398591
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Maggie O'Farrell
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Maggie O'Farrell
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Description du produit

Biographie de l'auteur

Maggie O'Farrell is the author of seven novels, AFTER YOU'D GONE, MY LOVER'S LOVER, THE DISTANCE BETWEEN US, which won a Somerset Maugham Award, THE VANISHING ACT OF ESME LENNOX, THE HAND THAT FIRST HELD MINE, which won the 2010 Costa Novel Award, INSTRUCTIONS FOR A HEATWAVE, which was shortlisted for the 2013 Costa Novel Award, and THIS MUST BE THE PLACE. She lives in Edinburgh.

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Détails sur le produit

Éditeur ‏ : ‎ Tinder Press; Unabridged édition (28 février 2013)
Langue ‏ : ‎ Anglais
ISBN-10 ‏ : ‎ 0755398599
ISBN-13 ‏ : ‎ 978-0755398591

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5 étoiles		46%
4 étoiles		32%
3 étoiles		14%
2 étoiles		3%
1 étoile		4%

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Meilleures évaluations de France

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Armalite

Une belle écriture intimiste

Commenté en France le 10 novembre 2013

Pendant la canicule de l'été 1976, en Angleterre, le père d'une famille d'immigrés irlandais disparaît sans laisser de traces. Les trois enfants rentrent au bercail de plus ou moins bonne grâce afin d'entourer leur mère. Michael Patrick, l'aîné, a épousé sa petite amie parce qu'elle était enceinte et dû renoncer à son doctorat d'histoire. Aujourd'hui, il végète dans un boulot de prof, et sa femme se désintéresse complètement de lui. Monica, la cadette, est mariée en secondes noces à un antiquaire bien plus vieux qu'elle qui l'a emmenée vivre à la campagne où elle s'ennuie profondément; en outre, elle ne parvient pas à se faire accepter de ses deux belles-filles. Aoife, la benjamine, est partie s'installer à New York des années auparavant afin que personne ne découvre le secret qu'elle cache depuis sa petite enfance. Devenue l'assistante d'une photographe célèbre, elle vit dans la crainte permanente d'être démasquée...

J'avais lu et adoré les trois premiers romans de Maggie O'Farrell ("After You'd Gone", "My Lover's Lover" et "The Distance Between Us"); avec le recul, je ne sais plus bien pourquoi j'ai cessé de suivre cette auteure. Mais après avoir découvert Stewart O'Nan cet été, je suis frappée par les similitudes de leur style: cette façon de rentrer dans la tête de gens proches les uns des autres pour décortiquer leurs rapports, cette sensibilité dans la façon de décrire le quotidien, cet art de tenir le lecteur en haleine des centaines de pages durant sans qu'il se passe grand-chose. La spécificité de Maggie O'Farrell, c'est que ses personnages protègent généralement un secret ou cherchent à en découvrir un, ce qui les isole et les tourmente. "Instructions for a Heatwave" ne fait pas exception à la règle. Si son thème familial m'a moins touchée que ceux des précédents romans de l'auteure, j'ai retrouvé avec beaucoup de plaisir la belle écriture intimiste de Maggie O'Farrell.

4 personnes ont trouvé cela utile

ARMELLE

A pure delight

Commenté en France le 10 décembre 2014

Love and hate in a family, the trap of the relationships between a mother and the children, men and women, with a vital lead : love, love, love.
This is one of the best books I have read recently. It is very well written, full of wit, humour and tenderness.
One of the few books I would want to keep forever

Le héros, le principal personnage autour de qui tourne l'histoire est absent du livre !

paloc monique

Commenté en France le 30 novembre 2014

Livre bien écrit ,belles descriptions mais la construction de l'histoire ne tient pas, on reste sur sa faim à la fin de l'histoire, on ne sait pas pourquoi le héros a agit ainsi, et ce qu'il va advenir des protagonistes.
Maggie O'Farrel a eu des très bonnes idées, a voulu aborder différents thèmes mais l'ensemble ne va pas.
Quant au titre : Instructions for a heat wave, why instructions ???

Commenté en France le 10 octobre 2013

I am one of Maggie O'Farrell's fans so I may be a bit biased. May be not one of her very bests this story of sisters and a brother falling apart and then reunited in the quest of an absent father is still a pleasure to read.

Une personne a trouvé cela utile

Famille je vous hais, famille je vous aime

D. Legare

Commenté en France le 27 décembre 2013

Voilà un roman que j’ai bien eu du mal à lâcher avant de l’avoir terminé ! Il s’agit d’une histoire de famille anglo-irlandaise que le passé rattrape au moment où ses membres s’y attendent le moins et alors qu’ils ont bien d’autres chats à fouetter.
Une vague de chaleur frappe Londres pendant le printemps et l’été 1976, Robert Riordan, retraité, va chercher son journal comme chaque jour. Mais, ce jour-là, il ne rentre pas à la maison, il disparait sans un mot. Gretta, sa femme finit par s’inquiéter et appelle ses enfants à l’aide.
C’est la réunion de ces trois-là autour de leur mère qui est intéressante. Ils vont devoir laisser leurs problèmes entre parenthèses un moment pour aider Gretta. Ils mettront un moment à se retrouver, se redécouvrir pour le meilleur et pour le pire et pour reformer une fratrie.
Maggie O’Farrell sait nous mener des uns aux autres d’une manière incisive et légère et plante des personnages plus vrais que nature dans leurs désarrois. Voilà une belle plume empreinte de beaucoup de sensibilité et de générosité. Je regrette un peu la fin qui me semble assez convenue, heureusement que l’auteur ne s’appesantit pas dessus.

Commenté en France le 27 septembre 2014

Toute la famille Riordan, d'origine irlandaise vivant à Londres, cache des secrets qui vont se dévoiler pendant une vague de chaleur de l'année 1976. Les personnages sont attachants mais l'intrigue n"est pas totalement maitrisée par l'auteure, surtout quand le dénouement dépend d'une révélation fortuite. On peut passer un moment agréable avec ce roman -- je l'ai lu pendant un vol long courrier -- mais je ne mettrai pas d'autres livres de cette auteure sur ma liste de priorités.

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Patrician

Superior Pulp Fiction.

Commenté au Royaume-Uni le 15 août 2018

I seemed to remember liking one of her books so I thought I’d try this as it cost very little.
The first chapter is superb: we see the mother alone in the house; we see that she is greedy, constantly eating, spooning jam out of the pot because she ‘suffers from weakness’ if she doesn’t eat. This last is an example of her easy self -indulgence, her self-delusion, her hypochondria. And as she sits there eating & reflecting in a self-centred way, we see her false piety, her hypocrisy, her total lack of any intellectual capacity or empathy. She lives according to a set of pious homilies & prejudices, & uses manipulative behaviour to control her children, & perhaps her husband. It is hard to find any redeeming feature.
Clearly, Maggie O’Farrell can write fluently: the words pour off her pen; I might even say gush. What I feel about this book is that here is a very practised writer, who can reel off this fluid prose & concoct a seemingly plausible & credible narrative about family life, & in particular Irish family life. But somehow it’s too practised, & ultimately formulaic, so unsatisfying.
It is difficult to justify my criticism of the book, because if I think about the individual parts, for example the stories of the (grown up) children & their relationships with each other, their mother & in the wider world, I can see it is all skilfully done. And she has some beautiful turns of phrase. But as a whole it is all too pat.
Added to this is the fact that although we witness their individual anxieties etc, the overarching tone is one of sentimentality, increasingly evident as the story progresses. Certain key events test credulity, for example the father going off - disappearing - for what turns out to be a rather unconvincing reason, although I can see how the author has tried to make it credible. Yes, these are Irish people in the thrall of church/ social pressures, but for me that doesn’t gel as reason enough. But why exactly did he go without a word to anyone; it is all a bit vague.
As others have pointed out, the heatwave theme doesn’t really work. At times I think she evokes the heat well, but it doesn’t suffuse the book sufficiently to justify it as a main theme. The water shortage announcements that precede sections of the book are artificial & add nothing, clearly only there to justify the title of the book - “Instructions”. But worse is the metaphor about a Bunsen burner causing a reaction, acting as a catalyst to cause a change in the nature of things. I know others liked this but to me it was a clumsy attempt to explain these rather unbelievable events; particularly the father’s desertion, when surely it ought to be enough to say people were adversely affected by the heat. But that wouldn’t quite justify him doing something so apparently out of character, so we are treated to this obfuscation about Bunsen burners.
The narrative follows the changes in the main characters’ attitudes & relationships with each other - with the exception of the mother perhaps, although we do see a more caring side in the last chapter. But it is all too saccharine.
And they all lived happily ever after.
Overall, this is superior pulp fiction, of the saga variety.

6 personnes ont trouvé cela utile

Lynda Kelly

Not What I Expected

Commenté au Royaume-Uni le 11 décembre 2020

I greatly enjoyed this but a little hard put to describe it. Yes, Robert disappears but then we hear very little about him after this. It's mainly introducing us to the rest of the family and what has happened to the three kids as they've grown. I mainly downloaded it as it was set in 1976 but aside from the odd mention of it being hot and the Government's drought rulings, there was very little that really took me back there, which was a shame. For me it could've been set last year !! It wouldn't have made much difference to the actual story, aside from the fact they'd not ever have needed to find public phone-boxes.
There are some really funny little remarks and asides in it, I really like the humour, and a couple of sniffy moments for me as well. I hated Michael Francis always being referred to as such......I can't be doing with doubled-up Christian names, it always sounds daft to me and a real mouthful. I howled when Aoife remarked that he'd "knocked up a Prod" and the image of Vita licking her aunt as well. Loved the 'Sunday-school stain' story. I had to google divided skirts as I was clueless, though.
I noticed one rogue hyphen in photog-rapher's but that was the only mistake throughout so to be highly commended for this alone.
It was different to what I'd expected but I've still spent a highly enjoyable couple of days reading it.

Une personne a trouvé cela utile

Julie

A brilliant read, well written, humorous and touching

Commenté au Royaume-Uni le 5 octobre 2019

I loved this book. I hadn’t read Maggie O’Farrel before and it was chosen for our book club to read. It has made me want to read more of her books! It’s very well written and very character driven. At times very humorous and at times very moving. Without spoilers I can tell you this is the story of the Riordan family all reunited at a time of mysterious crisis (added to the crisis of the 1976 3-month heat wave in the United Kingdom - hence the title). Patterns of family dynamics learnt as children reappear, secrets long buried or denied emerge - I was gripped!

3 personnes ont trouvé cela utile

Allie

Strong writing and vivid characters proved too weighty for the flimsy structure

Commenté au Royaume-Uni le 26 octobre 2015

I have never read any Maggie O’Farrell before and came to this one full of high expectation. O’Farrell’s writing is sublime; she gets inside her characters very well, using their various voices to tell the story. Her prose is extra-ordinary at times, so on those counts alone I will certainly be reading more.
One morning in the middle of the famous 1976 heatwave Robert, a retired bank manager, goes missing. His wife Gretta eventually manages to communicate the fact to their son and two daughters, who rally round to support their mother and attempt to locate their father.
On several technical fronts this book did not quite work for me. The central prop of the book is the disappearance, suddenly, without explanation, of Robert. Robert himself is a shadowy figure in the book, far too insubstantial to do the job the author requires. His absence should be a howling vortex, a black hole of potent emptiness which pulls the rest of the characters inexorably into it. But in fact the other characters – even Gretta, for whom her husband’s disappearance is reduced to an annoyance at not being able to find the shed key – don’t seem very anxious about him, there is no panic, only mild curiosity and a sense of overwhelming inconvenience. In itself, his disappearance seems unlikely. What at first seems like a spur-of-the-moment decision turns out to be planned; why didn’t he tell Gretta at least that he was going away for a few days, even if he didn’t explain the reason? Robert’s disappearance is a narrative ploy, a catalyst for bringing the rest of the family together. While they overcome their differences in order to work together to find him, this only proves that he isn’t very important as a unifying, cohesive force in the family at all.
Each of Gretta’s children are dealing with issues, secrets of various kinds which, boiled down, all stem from the domineering, hard-line Catholicism and inflexible nature of their mother. They hide things, they feel bad about things, because she would be angry, disapprove or fail to offer support. Unfortunately the Gretta which is presented to us in this book is neither domineering, hard-line nor inflexible. She comes across as eccentric, well-meaning but perhaps rather loud and embarrassing, definitely damaged, perhaps even suffering from mental health issues. I felt sorry for her although at times she did make me laugh.
The book is set against a heatwave and in places this is beautifully described, but it doesn’t really impact the story other than the characters feel hot. The plot calls from them to travel to Ireland and I must say that the refreshment of the ocean crossing did impact the plot and the atmosphere. The eponymous Instructions for a Heatwave which preface each chapter play no role at all in the story, and seemed like a device.
All in all I would say that strong writing and vivid characters proved too weighty for the flimsy structure of this book, they deserved better. If I had been Ms O’Farrell’s editor I would have suggested a substantial beefing up of Robert’s character, making him the mainstay and stronghold of the family, and a significant hardening of Gretta’s, making her into the doughty, waspish and domineering woman her children all imagine her to be. Finally I would have ditched the title and thought of something better.

9 personnes ont trouvé cela utile

Mike

Impossible to avoid taking sides

Commenté au Royaume-Uni le 27 mai 2022

Maggie creates characters you either root for or detest and she gives them depth so rapidly. The pace is just right allowing the reader to take in the richness of the cast. I did find myself hoping that several of the family got their comeuppance and my favourite ended up with all they wanted. In the event I liked the conclusion of the story even but perhaps because of there being lots of loose ends. So a thoroughly enjoyable read, thankyou.