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- One of the Nobel Prize Winners in Literature
- Ideal for fans of Chinese Playground, We Are Party People, Death of Me, Skate with Me, A Farmer’s Life for Me, and similar works
- Written by today’s most revered, controversial, and feared Chinese novelist
Mo Yan’s Life and Death Are Wearing Me Out is a remarkable story. The absurd, real, comical, and tragic are combined into a fantastic read. The hero—or antihero—is Ximen Nao, a landowner known for his kindness to his peasants. His tale is a heart-wrenching and unique journey and completely riveting tale that shares the author’s love of a homeland caught by ills political, traditional, and inevitable.
Chu T'ien-hsin's The Old Capital is a brilliant evocation of Taiwan's literature of nostalgia and remembrance. The novel is centered on the question, "Is it possible that none of your memories count?" and explores the reliability of remembrances and the thin line that separates fact from fantasy.
Comprised of four thematically linked stories and a novella, The Old Capital focuses on the cultural and psychological realities of contemporary Taiwan. The stories are narrated by individuals who share an aching nostalgia for a time long past. Strolling through modern Taipei, they return to the lost, imperfect memories called forth by the smells and sensations of their city, and try to reconcile themselves to their rapidly changing world.
The novella is built on the memories and recollections of a woman trying to make sense of herself and her homeland. After a trip to Kyoto to meet with a friend, she returns to Taipei, where, having been mistaken for a Japanese tourist, she revisits the sites of her youth using a Japanese colonial map of the city. Seeing Taipei anew, the narrator confronts the complex nature of her identity, embodied in the contrast between a serene and preserved Kyoto and a thoroughly modernized and chaotic Taipei.
The growing angst of these narrators reflects a deeper anxiety over the legacy of Japan and America in Taiwan. The titles of the stories themselves-"Death in Venice," "Man of La Mancha," "Breakfast at Tiffany's," "Hungarian Water"-reveal the strong currents of influence that run throughout the collection and shape the content and texture of the writing. In his meticulous translation, Howard Goldblatt captures the casual, intimate feel of Chu T'ien-hsin's writing while also maintaining its multiple layers of meaning. An intertextual masterpiece, The Old Capital is a moving and highly sensual meditation on the elasticity of memory and its power to shape personal identity.
Spanning three generations, this novel of family and myth is told through a series of flashbacks that depict events of staggering horror set against a landscape of gemlike beauty as the Chinese battle both the Japanese invaders and each other in the turbulent 1930s.
As the novel opens, a group of villagers, led by Commander Yu, the narrator's grandfather, prepare to attack the advancing Japanese. Yu sends his 14-year-old son back home to get food for his men; but as Yu's wife returns through the sorghum fields with the food, the Japanese start firing and she is killed.
Her death becomes the thread that links the past to the present and the narrator moves back and forth recording the war's progress, the fighting between the Chinese warlords and his family's history.
Interspersed throughout the narrative—and Ding's faltering investigation—are letters sent to Mo Yan by one Li Yidou, a doctoral candidate in Liquor Studies and an aspiring writer. Each letter contains a story that Li would like the renowned author's help in getting published. However, Li's tales, each more fantastic and malevolent than the last, soon begin alarmingly to resemble the story of Ding's continuing travails in Liquorland. Peopled by extraordinary characters—a dwarf, a scaly demon, a troupe of plump, delectable boys raised in captivity, a cookery teacher who primes her students with monstrous recipes—Mo Yan's revolutionary tour de force reaffirms his reputation as a writer of world standing. Wild, bawdy, politically explosive, and subversive, The Republic of Wine is both mesmerizing and exhilarating, proving that no repressive regime can stifle true creative imagination.
The prisoners languish in horrifying conditions in their cells, with only their strength of character and thoughts of their loved ones to save them from madness. Meanwhile, a blind minstrel incites the masses to take the law into their own hands, and a riot of apocalyptic proportions follows with savage and unforgettable consequences. The Garlic Ballads is a powerful vision of life under the heel of an inflexible and uncaring government. It is also a delicate story of love between man and woman, father and child, friend and friend—and the struggle to maintain that love despite overwhelming obstacles.
Mother, a survivor, is the quintessential strong woman who risks her life to save several of her children and grandchildren. The writing is picturesque, bawdy, shocking, and imaginative. The structure draws on the essentials of classical Chinese formalism and injects them with extraordinarily raw and surprising prose. Each of the seven chapters represents a different time period, from the end of the Qing dynasty up through the Japanese invasion in the 1930s, the civil war, the Cultural Revolution, and the post-Mao years. Now in a beautifully bound collectors edition, this stunning novel is Mo Yan’s searing vision of twentieth-century China.
His passion for writing shaped by his own experience of almost unimaginable poverty as a child, Mo Yan uses his talent to expose the harsh abuses of an oppressive society. In these stories he writes of those who suffer, physically and spiritually, under its yoke: the newly unemployed factory worker who hits upon an ingenious financial opportunity; two former lovers revisiting their passion fleetingly before returning to their spouses; young couples willing to pay for a place to share their love in private; the abandoned baby brought home by a soldier to his unsympathetic wife; the impoverished child who must subsist on a diet of iron and steel; the young bride willing to go to any length to escape an odious, arranged marriage. Never didactic, Mo’s fiction ranges from tragedy to wicked satire, rage to whimsy, magical fable to harsh realism, from impassioned pleas on behalf of struggling workers to paeans to romantic love.
“In contrast to the utopian official literature of Communist China, the stories in this wide-ranging collection marshal wry humor, entangled sex, urban alienation, nasty village politics and frequent violence…’The Brothers Shu,’ by Su Tong (Raise the Red Lantern), is an urban tale of young lust and sibling rivalry in a sordid neighborhood around the ironically named Fragrant Cedar Street. That story’s earthiness is matched by Wang Xiangfu’s folksy ‘Fritter Hollow Chronicles,’ about peasants' vendettas and local politics, and by ‘The Cure,’ by Mo Yan (Red Sorghum; The Garlic Ballads), which details the fringe benefits of an execution. Personal alienation and disaffection are as likely to appear in stories with rural settings (Li Rui’s ‘Sham Marriage’) as they are to poison the lives of urban characters (Chen Cun’s ‘Footsteps on the Roof’). Comedy takes an elegant and elaborate form in ‘A String of Choices,’ Wang Meng’s tale of a toothache cure, and it assumes the burlesque of small-town propaganda fodder in Li Xiao’s ‘Grass on the Rooftop.’”—Publishers Weekly
“Fiction that reflects the turmoil brought about by Tiananmen and the money-making ethic found in China today.”—Library Journal
Includes contributions by Shi Tiesheng, Hong Ying, Su Tong, Wang Meng, Li Rui, Duo Duo, Chen Ran, Li Xiao, Yu Hua, Mo Yan, Ai Bei, Cao Naiqian, Can Xue, Bi Feiyu, Yang Zhengguang, Ge Fei, Chen Cun, Chi Li, Kong Jiesheng, Wang Xiangfu
From its beginnings as a pestilent port and colonial backwater, Hong Kong became the "pearl" of a declining British empire, and then ascended to its present status as a gleaming city of commerce. Throughout its history, Hong Kong has been steeped in drama, intrigue, and seismic social shifts. Shih Shu-ching, an acclaimed Taiwanese writer, sets her epic tale of one beautiful and determined woman's family amid this rich and colorful history, capturing in vivid, panoramic detail the unique tensions and atmosphere that characterize the city. Critically praised and long popular in the Chinese-speaking world, City of the Queen is now available for the first time in English.
After being kidnapped from her home in rural China, Huang, the novel's heroine, is brought to Hong Kong and sold into prostitution. Thanks to her shrewd, sometimes devious business dealings and unexpected twists of fate, she emerges from these cruel beginnings to become a wealthy landowner. City of the Queen follows the fortunes of Huang's family, including those of her devoutly Christian daughter-in-law, who tries to redeem the sins she believes Huang has committed; her grandson, who becomes the first Chinese judge on the Hong Kong Supreme Court; and her great-granddaughter, a quintessential Hong Kong young woman, who turns her back on family tradition to revel in the pleasures offered by the 1970s and 1980s metropolis.
The novel introduces a range of other Chinese and British characters, examining the complicated relationships between colonizer and colonized in a searing and perceptive portrayal of colonialism. There is Adam Smith, the British officer who struggles with the competing seductions of Huang's beauty and British respectability; Qu Yabing, Smith's servant, who despises anything Chinese, yet becomes Huang's lover after she is abandoned by Smith; Colonel White, the sadistic colonial police chief; and Auntie Eleven, a concubine who owns a pawnshop and teaches Huang the secrets of the trade.