Hamnet: Winner of The Women's Prize for Fiction 2020 - the No. 1 Bestseller Livres audio Audible – Version intégrale
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Winner of the Women's Prize for Fiction 2020
The Sunday Times best seller
Two extraordinary people. A love that draws them together. A loss that threatens to tear them apart.
On a summer's day in 1596, a young girl in Stratford-upon-Avon takes to her bed with a fever. Her twin brother, Hamnet, searches everywhere for help. Why is nobody at home?
Their mother, Agnes, is over a mile away, in the garden where she grows medicinal herbs. Their father is working in London. Neither parent knows that one of the children will not survive the week.
Hamnet is a novel inspired by the son of a famous playwright. It is a story of the bond between twins, and of a marriage pushed to the brink by grief. It is also the story of a kestrel and its mistress; flea that boards a ship in Alexandria; and a glovemaker's son who flouts convention in pursuit of the woman he loves. Above all, it is a tender and unforgettable reimagining of a boy whose life has been all but forgotten, but whose name was given to one of the most celebrated plays ever written.
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Détails sur le produit
|Durée||10 heures et 31 minutes|
|Date de publication sur Audible.fr||31 mars 2020|
|Type de programme||Livre audio|
|Classement des meilleures ventes d'Amazon|| 8,431 en Livres et œuvres originales Audible (Voir les 100 premiers en Livres et œuvres originales Audible) |
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Un problème s'est produit lors du filtrage des commentaires. Veuillez réessayer ultérieurement.
Ce roman ne dément pas le talent de Maggie O'Farrel. Je conseille !
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Married for love, Agnes pregnant, they move into an annex of his father's home where they must share their daily lives with his extended family. Three years later Agnes, pregnant with twins, arranges for her husband to seek his fortunes in London. There he stays, visiting often. Despite their separation, the couple remain close until one of the twins, Hamnet, dies at 11 years old. Grief for their child strains the relationship to breaking point; they grow further apart until, four years later, he publishes his groundbreaking tragedy, "Hamlet". There's a very satisfying resolution.
Will Shakespeare is never named. This may be because so very much has already been written about him, and so little about her and their children. Shakespeare left no documentation whatsoever about his personal life - it's a mistake to assume his works are autobiographical and, if he kept diaries, they are lost. Most historians, being male and applying the values of their own times, have filled this void with unkind assumptions about Anne Hathaway. Nobody knows the truth: we are free to imagine alternatives based on historical context.
Maggie O'Farrell weaves complex tapestries of short stories, interconnected across time and space, as experienced by each of their characters. Her outstanding strength is the inner lives of women who, for her, are intensely attuned to nature and emotions, with an almost magical ability to see beyond the physical. Her own daughter suffers an extreme allergy syndrome, forcing her to live with the possibility of losing her child at any moment, and she herself endured a childhood brain infection that has left her with neurological issues. The vulnerabilities and sensibilities in her semi-fictional women are everyday realities for this author.
While I loved the book and was fully drawn into Agnes's life - I read it in one very long sitting - I felt doubtful about some of it, especially the more 'magical' aspects. Every Tudor housewife was expected to be a competent herbalist, brewer, cheesemaker and more; there was no need to present Agnes's skills as exceptional. They were, though, very superstitious times and a woman of her character would have been viewed as odd, even dangerous.
For companion reading with a different approach, I can recommend Germaine Greer's "Shakespeare's Wife" - it was one of O'Farrell's sources for factual background. If you aren't so bothered about real events, this is a wonderful, mystical, emotional roller-coaster!
Then we go back to watch the early days of Hamnet’s parents’ courtship. There’s Agnes, the wise, unusual girl who owns a hawk, who understands the properties of herbs, and who can judge a person by gripping between their thumb and forefinger. And Will, the enigmatic Latin tutor who is enchanted by her. Both come from difficult family backgrounds. We can feel the attraction. We’re rooting for them.
The writing is delicious. Fruits and flowers, textures and atmospheres are described in sensuous detail that enhances rather than detracts from the story. It’s a joy to read.
Maggie O’Farrell never calls Agnes’s husband and Hamnet’s father by the name William Shakespeare. He is ‘the husband’. But of course the portrait of him and the description of his behaviour is informed by our knowledge of his plays and his reputation in history.
I’ve read some reviews that criticise the portrayal of Agnes as a wise woman who can see into the future, claiming that this is an overused trope, but for me it is used in an original way. Agnes only has glimpses of what will happen; she doesn’t see the danger stalking her son. She can’t quite tell what her husband will become, although she knows she has to let him pursue his career in London.
The novel is compelling as a description of a mother losing a child, but it’s also a fascinating description of a marriage as both parents grieve separately, in their own ways. I’ve read and loved every single Maggie O’Farrell novel, as well as her non-fiction memoir I Am, I Am, so I knew I would love this too. If you haven’t read any of her work yet, Hamnet is a great place to start.
O’Farrell gives us a cause here and a way that it came about, which adds to the story, but this isn’t really a story of the boy it is a story of love and loss, something which we can all relate to. The first part of this book then is two streams given to us in parallel, we have the story of the family in the present of the story, and also the way that Shakespeare and Anne Hathaway, or Agnes as she is called here meet, fall in love and marry. We indeed are never given the name of the playwright as such, but we can all see that it is of course William Shakespeare. The second part of the book is after the death of the son.
This is very well written and imagined, with stark prose and a somewhat dreamlike quality. We have the legends surrounding Agnes, who is considered a witch or at least a cunning woman, and how some think she has trapped her husband into marrying her, although others think she could have made a better match. This gives the tale then a peculiar atmosphere, where you feel like something real can happen, but also perhaps something magical, although this is kept very much in the real world.
As we all know, and many have experienced it over the years, it does not seem fair that a child can die before its parents, but it happens quite a lot around the world and is always a tragedy. This is here of course, and then there is love in its many forms, such as a husband for his wife and vice versa, and the love that a child has for its sibling, and as we see in the first half it is Hamnet’s love for his twin sister Judith that can be seen as his downfall, as he wants to trick death into leaving his sister alone. This, a simple idea, is really brought to life here, tugging at our heartstrings, and thus is used to good effect. With the love between the parents we see that because of the husband away so much in London and elsewhere, so there is a feeling of separation between the two adults which feels like it can never be repaired after the tragic death, but we see whether this is so as the novel continues.
The clever thing I think and that has made so many people enjoy reading this is that although an historical novel as such, apart from the scene setting this feels very personal and close, and thus could have been set in the past or present, and in any place and with any family, giving it an immediacy that you do not obviously normally get with historical novels. This is certainly something that grabs you and holds onto you until the last page, where you are left wanting more.