Autres vendeurs sur Amazon
+ 0,01 € Livraison
95 % positif(s) au cours des 12 derniers mois
+ 0,01 € Livraison
89 % positif(s) au cours des 12 derniers mois
Téléchargez l'application Kindle gratuite et commencez à lire des livres Kindle instantanément sur votre smartphone, tablette ou ordinateur - aucun appareil Kindle n'est requis. En savoir plus
Lisez instantanément sur votre navigateur avec Kindle pour le Web.
Utilisation de l'appareil photo de votre téléphone portable - scannez le code ci-dessous et téléchargez l'application Kindle.
En savoir plus
Enough About Love: A Novel by the Bestselling Author of The Anomaly Broché – 1 février 2011
|Neuf à partir de||Occasion à partir de|
Livres audio Audible, Version intégrale
|Gratuit avec l'offre d'essai Audible|
MP3 CD, Super Audio CD
Améliorez vos achats
Any man—or woman—who wants to hear nothing—or no more—about love should put this book down.
Anna and Louise could be sisters, but they don’t know each other. They are both married with children, and for the most part, they are happy. On almost the same day, Anna, a psychiatrist, crosses paths with Yves, a writer, while Louise, a lawyer, meets Anna’s analyst, Thomas. Love at first sight is still possible for those into their forties and long-married. But when you have already mapped out a life path, a passionate affair can come at a high price. For our four characters, their lives are unexpectedly turned upside down by the deliciously inconvenient arrival of love. For Anna, meeting Yves has brought a flurry of excitement to her life and made her question her values, her reliable husband, and her responsibilities to her children. For Louise, a successful career woman in a stable and comfortable marriage, her routine is uprooted by the youthful passion she feels for Thomas. Thought-provoking, sophisticated, and, above all, amusing, Enough About Love captures the euphoria of desire through tender and unflinching portraits of husbands, wives, and lovers.
Description du produit
He quickly notices a young woman with short blond hair, pale eyes, and a lot of people around her. She is leaning against the wall in the huge hallway, holding an orange-colored cocktail glass, its surface quivering from her voluble conversation. Thomas moves closer, listens. He grasps that she is a lawyer…
With a pretty flick of her hand she pushes back a drooping lock of hair, suddenly notices him, and smiles at him: Thomas knows instantly that he is caught, and is happy to be.
Revue de presse
“Enough About Love is awfully cute. It is also absorbing and witty, and the more impressive for its formal constraints.” —Lorin Stein, Harper’s Magazine
“What could be more romantic than falling in love in Paris? Unless you are already married, in which case it’s a little more complicated, as in Hervé Le Tellier’s Enough About Love …Le Tellier writes about middle-aged desire and its consequences with empathy and humor.” —Washington Post
“It is a complicated novel, artfully told and translated and eerily familiar, the way love stories so often are.” —Los Angeles Times
“At least as intriguing as how the French make their bread taste so good is how they manage all those extramarital love affairs they’re said to have.” —The New York Times
“It’s a French intellectual sex romp, an updated Bob & Carol & Ted & Alice if they had Lacan, Queneau, and Barthes on their analysts’ shelves…Fluidly translated by Adrianna Hunter, Enough About Love graphs love’s disruptive geometries in a playful manner.” —Bomb Magazine
“The prologue warns, ‘Any man — or woman — who wants to hear nothing — or no more — about love should put this book down.’ We’ll be surprised if it leaves your hands.” —Daily Candy
“This is a book about love, certainly, but it is also a book about love stories, and the way in which those stories play out according to their own logic. Watching Hervé Le Tellier conduct that process as he leads his characters in and out of love, one is reminded that literature, too, is an affair of the heart.” —World Literature Today
“A wise and witty writer, [Tellier] brings Parisian flair to this tale of romantic entanglement.” —BookPage
“A touching and thought-provoking study of attraction, responsibility, and love.” —Publishers Weekly
“Two love triangles (equal one love hexagon?) that reveal much—or at least enough—about love… Le Tellier examines the possibilities of love after 40, and he deals with this issue with patience, understanding and bemusement.” —Kirkus Reviews
“Both thoroughly complex and utterly simple...Middle-aged romance has rarely seemed so intriguing.” —Booklist
“Elegantly constructed, and with humor, wit, and touching honesty, Hervé Le Tellier tells a classic love story tweaked with a modern sensibility. I loved this intelligent and beguiling French novel, infused with that ‘Je ne sais quoi’ and a pleasure to read from the first page to the last.” —Katharine Davis, author of Capturing Paris
“A grab bag of luminous angles and viewpoints of the kaleidoscope of love.” —Marie Claire (France)
“If there was to be only one quintessential 'French novel' this fall, it should be this one.” —Elle (France)
“A novel that's full of surprises and strikes out against banality, cliches, and platitudes.” —Lire
Détails sur le produit
- ASIN : 1590513991
- Éditeur : Other Press (1 février 2011)
- Langue : Anglais
- Broché : 240 pages
- ISBN-10 : 9781590513996
- ISBN-13 : 978-1590513996
- Poids de l'article : 281 g
- Dimensions : 13.97 x 1.52 x 20.96 cm
- Classement des meilleures ventes d'Amazon : 12,321 en Relations internationales (Livres)
- 64,028 en Romance contemporaine
- 497,409 en Romans et littérature
- Commentaires client :
À propos de l'auteur
Meilleurs commentaires provenant d’autres pays
The novel has a distinct upper middle-class vibe. The two leading characters are well-educated, highly refined, forty-something Anna, a psychiatrist, and Louise, a lawyer. Anna's husband is a noted surgeon and Louise's husband is a renowned scientist. Louise does not know Anna, but coincidentally it is Anna's psychoanalyst, Thomas, who has taken her breath away. In Anna's case, she has become totally infatuated by whimsical, lesser-known, writer, Yves.
The author captures so well the intoxication that overwhelms these connection-starved women. In a series of vignettes, the excitement, the simple, lusty pleasures, of the first few weeks of meeting are glimpsed. But there are sobering considerations when their thinking turns to the question of whether a new life with their lovers is possible. The past must be reassessed - is love truly gone. Can disrupting a family be justified? Can their lovers really meet their expectations, will they disappoint? Those considerations do have an impact in this story.
Two of the more poignant scenes are where the husbands first see or meet their rivals. Anna's husband secretly attends an address given by Yves, on, of all things, the meaning of "foreign," only to discover Anna in attendance in a front row seat. Louise's husband schedules a session with Thomas under a false name, which fools no one. The author also uses an inventive technique of splitting a few pages into columns to show simultaneous trains of thought on a particular matter.
The story is very compelling; Anna and Louise are sympathetically portrayed, though their shortcomings are not ignored. By design the story is presented in almost outline form - a definite "facts-only" motif. In that structure, much gets left out, such as any real feel for the husbands. But in relatively few brush strokes the author captures the emotional, irrational, unstoppable pull of desire once unleashed. The author's conclusion is hardly one that tragedy has occurred. It is more that desire is real and maybe for the health of the human psyche it must be fulfilled. There may be some broad social lessons there regarding monogamy and affairs.
With a structure borrowed from a game of Abkhazian dominoes - discussed briefly in one section of the book - the various characters (Anna and Louise, their husbands, and their lovers) find themselves interacting in all kinds of combinations. We see, for example, Louise with Thomas (her lover), followed by a chapter with Louise and Romain (her husband), followed by another chapter of Thomas and Romain...and so on.
There are a few chapters that stand out for their audacity and their elegance. In one of them, Yves (the author and lover of Anna) is conducting a public reading on the subject of "foreignness." In the audience is Stan (the husband) who feels like the ultimate foreigner as he puzzles why his wife would be attracted to this man and castigates himself for letting the magic slip away. The juxtaposition of these two men is displayed in a two-column "split screen", visually communicating the differences between them.
In another, Yves is signing copies of his book when a man who he presumes is Anna's husband enters the bookstore. He lectures Yves on one of the author's former books, stating, "...he also suspects she loves him because he embodies unpredictability, a sense of adventure she always longed for, but he exploits her dreams to draw her in. It's a woman thing, like Emma Bovary meeting her Rodolphe." He forces Yves to hold a mirror to himself. And, in a somewhat parallel story, Romain visits Thomas, the analyst, under an assumed name. Thomas quickly realizes to whom he's speaking and the dialogue between them becomes searingly unforgettable.
In yet a third vignette, Yves presents Anna with a book he wrote about her - Forty Memories of Anna Stein - bursting with intimacy and immediacy. As readers, we become compliant in the affair, being titillated with the passionate details.
And so, love in all its interactions is explored - married love, adulterous love, rejected love, mundane love, love that endures, love that dies out. There are many, many pithy lines and startling revelations from an author who is obviously confident and even playful in his craft.
As someone who married late in life, with an understanding of the fragility of relationships and the false euphoria of "love" flirtations, the cavalier attitude of the characters was sometimes unsettling to me. It is a testament to the power and mastery of this work that I placed my own value system aside and read on, enchanted, with no doubt in my mind that this was an intelligently-crafted, beautifully rendered work. In the end, it is a delicious read.